At the turn of the century I started experimenting with 3 dimentional works. The purpose was to find out if a painting would end when there was a frame or if it continued outside the frame. Eventually I decided the frame is a part of the work but doesn’t have to retrict the painting. The painting can go on outside the frame and even can be an important aspect of the piece of art.
Within these works I also start to experiment and research the Fibonacci numbers and the repeating measurements.
